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The second follower also follows, but with a much slower-or longer-sustain characteristic built in. The first reference follower faithfully traces the natural signal. In the Sustain section, the signal path is divided again to feed two envelope followers. Attack periods can be amplified or attenuated up to 15 dB. When you turn the Attack knob to the (-) or negative direction, a softening or smoothing of attack is obtained. For very short moments, positive attack values as set by turning the Attack control to the right (+) will emphasize the front or attack portion of the signal. The front panel Attack knob mixes or adjusts the amount of this difference voltage. This amplitude difference produces a voltage that is used to control a VCA that passes the signal to the output. If you were to superimpose the two envelopes on top of each other graphically, you will see an amplitude "Difference" area between the two different attack portions. The second envelope follower tracks the same input signal waveform but produces a mirror image with a much slower attack portion. This process occurs within one to two microseconds. In the Attack section, the first of two envelope followers looks at the instantaneous dynamic shape of the input signal and produces a mirror image reference envelope. These processes occur in parallel, are mutually exclusive and do not interact with one another.
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The Transient Designer splits an incoming signal into two paths for separate and constant processing by Attack and Sustain sections. This implies that low-level signals are not altered and that the process is constant and instantaneous. So the idea of setting a level threshold for the onset of operation, as you would with any compressor, is meaningless. Unlike a compressor, which "globally" alters the dynamic range of an entire audio signal according to a set of time constants (attack, decay, ratio and release), the Transient Designer uses a level-independent process called Differential Envelope Technology® to maintain identical envelope processing, regardless of input signal level.
#SPL TRANSIENT DESIGNER FREE MANUAL#
The terse manual explains that the "temporal expiry of a signal" can be modified in two primary ways: by accelerating or slowing the transient portion of a signal, and by shortening or lengthening the sustain portion. The Transient Designer offers an alternative way to manipulate dynamic range. The new Transient Designer furthers this mandate. Perhaps best known for its Vitalizer dynamically adaptive equalizer, SPL has a history of producing equipment that accomplishes complex and unique sound processing with intuitive controls.
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The Transient Designer from German manufacturer SPL Electronics is the latest addition to the company's advanced line of analog processors.
#SPL TRANSIENT DESIGNER FREE SOFTWARE#
With automation, the musical possibilities from subtly building up and dropping intensities using the Sustain control are particularly exciting.Barry's Free Downloadable Equipment Front Panel Recall/Manualsīarry's Mix Magazine Equipment And Software Reviewsīarry's Massive Discography And Engineering Careerīarry's Music Connection Magazine Reviews The sheer variation of attack and sustain characteristics created here is still astonishing, and all from just two knobs. The software version has lost none of the excitement that its hardware parent engendered. Oh, and what about a sidechain facility? That could be fun.
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You can get round it with a trim plug-in beforehand, but an Input control would make more sense. A lookahead feature might have helped with this.Īlso, without an input level control, there's a danger of overloading the plug-in at the input if you're upping the attack on an already high-level signal. In our tests, we could hear the hi-hats spitting in the processed loop under software control, whereas with the hardware, the attack was completely smooth. The Attack response, particularly with high frequencies, doesn't seem as controlled as the hardware. There are one or two blots on its copybook, but nothing major. Turn it down and any hard, spiky parts sink softly into the mix. Turn the Attack up and the impact of any blunt performance is enhanced. If anything, the shape of the bottom end on pumped loops is more appealing with the plug-in than the hardware. Turn it up and you get that satisfying pumping with the accompanying bottom-end breathing. Pull the Sustain back and any reverb on the audio starts to fade away. A/B'ing it against the hardware version, it's clear that the essence of the original has been captured in the plug-in. Beside the main panel are four 'settings' buttons for storing and recalling different combinations with a click of the mouse.